By Espen Hammer
Theodor W. Adorno's aesthetics has ruled discussions approximately artwork and aesthetic modernism seeing that international conflict II, and keeps to notify modern theorizing. Situating Adorno's aesthetic concept within the context of post-Kantian eu philosophy, Espen Hammer explores Adorno's severe view of artwork as engaged in reconsidering basic positive aspects of our relation to nature and fact.
His publication is established round what Adorno considered as the modern aesthetician's overarching job: to accomplish a imaginative and prescient of the destiny of artwork within the sleek international, whereas demonstrating its specific cognitive strength. Hammer bargains a full of life exam of Adorno's paintings during the principal challenge of what complete human self-actualization will require, and in addition discusses the broader philosophical importance of aesthetic modernism.
This publication can be a invaluable source for students and scholars of social philosophy, artwork, and aesthetics.
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Additional resources for Adorno's Modernism: Art, Experience, and Catastrophe
He also addresses the very relation between subject and object, that grand theme from Kant and German Idealism, which he thinks has degenerated to become one of naked domination. In order to bring all of this into focus, it is necessary to do some preparatory work. Thus, in the first half of the chapter I reconstruct in some detail the origin of Adorno’s sense that art has anything to do with such questions as those of the subject–object relationship and human freedom. As I suggest, that origin can be traced back to Kant’s third Critique and its impact on thinkers such as Schelling and Hegel.
15 Michael O. 95. 16 G. W. F. Hegel, Early Theological Writings, trans. ” 28 Art and the problem of modernity by others, and ultimately by the community in which I exist. However, I must also be able to experience my affective being – my emotions, even my drives – as being responsive to a supporting environment. I experience alienation if my commitments are such that I cannot identify with them, and cannot integrate them into my own conception of self-identity and know them as mine. However, I also experience alienation if, for example, my love always goes unrequited, or my needs find no genuine satisfaction.
Reason and domination 33 other members of the early Frankfurt School), how does he justify the (at least under current circumstances) apparent impossibility of reconciliation? 30 On some interpretations, the culprit is “instrumental reason,” involving an unreflective emphasis on securing the most efficient means to obtaining an end, yet without rationally adequate consideration of the rightness of ends – the rationality manifested most extremely (and emblematically) in someone like Eichmann or in various forms of technocratically oriented exploitation of workers or of nature.
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